In the midst of a divorce, Miriam Besson decides to ask for exclusive custody to her son, in order to protect him from a father that she is accusing of violence. The judge-in-charge of the file grants a shared custody to the father whom it considers abused. Taken as a hostage between his parents, Julien Besson will do everything to prevent the worst from happening.
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Estranged from his family, Jonathan (Hedlund) discovers his father has decided to take himself off life support in forty-eight hours’ time. During this intensely condensed period, a lifetime of drama plays out. Robert (Jenkins) fights a zero sum game to reclaim all that his illness stole from his family. A debate rages on patients’ rights and what it truly means to be free. Jonathan reconciles with his father, reconnects with his mother (Archer), sister (Brown-Findlay), and his love (Adams) and reclaims his voice through two unlikely catalysts – a young, wise-beyond-her-years patient (Barden) and a no-nonsense nurse (Hudson). Through this intensely life affirming prism, an unexpected and powerful journey of love, laughter, and forgiveness unfolds.
After years of success, Zaytoven still finds himself stuck in the middle of being a great producer and a mainstream producer, fighting for the #1 spot while keeping his principles intact. When Zay and his cousin Nuke get’s confronted by a ole friends widow, Trish played by “KASH DOLL”, demanding payment from her Husbands abandoned music royalties. The cousins find themselves yet in another bind. Trish convince her brother Rock played by “JOSIAH MCCORMICK” and up coming producer idol turned rival, Ryan played by “TROUBLE” to extort Zaytoven and Co. at all cost. Tested by fans, media, friends and even family Zaytoven maneuver through the fight of his life in this twisted; made up Hollywood fantasy we call entertainment. This dramatic story unfolds as two cousins once again navigate through the industry.